Atomos Ninja V 5" 4K HDMI Recording Monitor ATOMNJAV01 - 6PC Accessory Bundle

A 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD footage from specially designed mini-SSDs is the Atomos Ninja V 5" 4K HDMI Recording Monitor. It has a 10-bit FRC IPS screen with a brightness of 1000 cd/m2, making it appropriate for usage both inside and outside. You can precisely monitor your log gamma footage with AtomHDR display technology without having to gaze at flat, washed-out visuals or use a LUT to reduce the dynamic range and color space. Popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras are supported by the monitor. Only viewing is impacted by the settings; recorded footage is unaffected.

The Ninja V is powered by a single L-series battery and has an aluminum chassis to withstand the rigors of production. Additional capabilities include anamorphic de-squeeze, various onscreen exposure analysis, framing, and focus aid tools, and more. With the device are an SSD Caddy and a power supply.

AtomHDR
You may check the dynamic range of your camera's LOG image up to ten stops with AtomHDR. A Log image will appear extremely flat because the majority of typical monitors can only display six or seven stops, which is fine for standard footage. Additionally, it is better than loading a LUT for monitoring, which can clip highlights and mask shadows.

Formats for Supported Logs

• ARI Log C
• CLog / CLog 2 for Canon
• Canon F-Log
• VCR JLog
• SLog2 / SLog3 from Sony
• Canon Vlog
• LogFilm in RED

HDR Capture

• The ARRI Log CEI160, LogCEI200, LogCEI250, LogCEI320, LogCEI400, LogCEI500, LogCEI640, LogCEI800, LogCEI1000, LogCEI1280, and LogCEI1600 are among the available logs.
• the Canon CLog, CLog2, and Clog3
• Canon F-Log
• JCVS JLog
• Canon Vlog
• PQ10k and HLG
• Log3G10/Log3G12/RED LogFilm
• SLog, SLog2, and SLog3 from Sony

Monitoring in HDR

• ALEXA Wide Gamut by ARRI
• DCI P3+, Canon Cinema, DCI P3, and BT2020
• Canon F-Log
• JVC LS300
• Samsung V Gamut
• Rec. 2100
• Rec. 709
• RedWideGamut, RedColor2, RedColor2, DragonColor2, RedColor3, and RedColor4
• BT2020, Sony SGamut, SGamut3, and SGamut3.cine
• Wide Color Gamut (SGamut/SGamut3/SGamut3.cine/Canon Cinema/BT2020/DCI P3/DCI P3+/Panasonic V Gamut/ARRI ALEXA Wide Gamut) mapping to Rec. 709 is a color gamut that encompasses a wide range of tones. 709 appear on the screen.

Wide Color Gamut (SGamut/SGamut3/SGamut3.cine/Canon Cinema/BT2020/DCI P3/DCI P3+/Panasonic V Gamut/ARRI ALEXA Wide Gamut) mapping to Rec. 709 is a color gamut that encompasses a wide range of tones. BT2020, DCI P3, and 709 on loop out

Capabilities in 4K 60p

• Record 4K footage with a high resolution in DCI or UHD formats at up to 60 frames per second, as well as 24 and 25 frames per second for a more filmic look. All recordings are kept as 10-bit 4:2:2 chroma subsampled Apple ProRes or Avid DNxHR files of the highest quality. To suit your project's objectives and storage requirements, a range of bit rates are offered.

Audio I/O

• Utilizing the multi-pin locking connector, audio can be inputted and outputted. Breakout cables that are sold separately can provide XLR audio input and output with 48V phantom power. You can utilize the 3.5mm headphone jack on the side for convenient audio monitoring.

5 "Observable in Daylight Screen

• The Ninja V has a 5-inch "With the help of the IPS LCD screen's brilliant 1000 cd/m2 LED backlight, it is possible to use it outside without a hood. In order to assure correct visual depiction, the screen is additionally color calibrated from the factory.

HDR Signal Control

• With standard technology, it can be challenging to monitor log and HDR signals. However, the log signal can be transformed to the PQ standard for compatibility with already existing consumer and professional HDR equipment using the Ninja V's built-in HDR signal management features.

Anamorphic de-squeezing

• With the Ninja V's support for anamorphic de-squeeze, you may watch anamorphic content with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3 without any discomfort.

editable recordings

• It is possible to record incoming video signals in a variety of Apple ProRes and Avid DNx codecs, which preserve good quality without consuming as much storage space as uncompressed video. Both ProRes and DNx are editable formats that don't require any post-production conversion to assure smooth playback and compatibility with the majority of popular video editing programs.

Additional Modules

• In addition to power and audio ports, the Ninja V also has a bidirectional high-speed video connection, which will enable future expansion modules to expand the Ninja V's functionality.